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Adolf Hitler: The Unknown Artist, by Billy F. Price
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- Sales Rank: #2261199 in Books
- Published on: 1984-06
- Ingredients: Example Ingredients
- Format: Sound Book
- Original language: English
- Dimensions: 11.50" h x 8.50" w x 1.00" l,
- Binding: Hardcover
- 260 pages
Language Notes
Text: English, German (translation)
Most helpful customer reviews
26 of 27 people found the following review helpful.
Artistic Talent, Propaganda and Fate
By A Customer
While a few of the paintings in this book have supposedly beenproven to be forgeries, the majority have been proven to have been thework of Adolf Hitler. Billy Price, the author, has also stated that after the book was printed, he was contacted by several people who posessed verifiable paintings of equal quality.
This book has not one word of praise for Adolf Hitler nor any of his artwork. It is simply a listing of the art works in known existence. Yet, the first printing, which is a German language version, was confiscated by the German government. This book, which is the English language version, is actually the second printing.
During World War Two, the German propaganda machine generated many lies about our leaders. Churchill and Roosevelt were the butts of many jokes in Germany. We, the Allies, claimed that Hilter was a "house painter." Indeed, his favorite subjects were buildings. Therefore, we only lied a little.
When Hitler had applied to the art school in Vienna, he was turned down. They did recommend that he become an architect since he enjoyed painting buildings. Unfortunately, he had dropped out of school when his father had died and was not qualified for entry into architect's school. So, he went into politics instead. Imagine how different the history of the twentieth century would have been had they accepted him into the art school.
Over all, I rate this book very highly. How can anyone understand the personality behind the Adolf Hitler myth without seeing his artwork. END
18 of 24 people found the following review helpful.
Who can speculate as to what might have been.......
By Ralph DeMattia
As I read through this book and looked at the recreations of Hitler's artwork, I can't help but wonder what might have been averted had the snot-nosed, elitist, STUPID instructors admitted him to the Art school that he applied to, at least to have given him the chance to prove himself as an artist. Whatever you think of him, he was a gifted artist; maybe not a Michaelangelo or Gogan, but with training and encouragement, instead of the ridicule he got, possibly he would have gone on to become a commercial artist, and six million lives might never have been lost; not to mention a war that might never have happened. Think about it, and get this book, if you can.
23 of 25 people found the following review helpful.
Honest Look at one aspect of Der Fuhrer
By Marty Snow
More than 50 years after the death and destruction attributable to Adolph Hitler, the mere mention of his name still brings out strong emotions in most people. While his politics deserve the severe criticism most people feel, it is fair to isolate portions of his life for study and to let opinions on those areas be based on their own merits (or lack of), and that is exactly what this book does as it relates to Hitler's artist talents and interests.
Not only does this book refrain from discussing any other aspects of Hitler's life and activities, but it also does not take sides regarding the talent or value of his drawings and paintings. It quotes the opinions of others, both praises and criticisms, but the author does not share any personal opinions he may have formed as a result of compiling the book. He even states that he will only report historical facts and will leave all judgements to the readers.
The book starts with the history of a young Adolph trying to earn a living as a painter and vowing to become a famous artist. It traces his artist interests from youth to rejection by artist school, through his continued interests as he shifts to becoming a writer then politician. Once in power in Germany it discusses his efforts to gather, document, and preserve his earlier artwork as "national treasures." It also discusses the evolution of interest in his work since the war, including forgeries and authentications.
All the above takes place in the first few pages of the book. The remainder simply shows examples of his work, along with titles, dates, and any other known relevant facts.
Any collector will tell you that the most valuable of any sort of collectable will be subject to forgeries, indeed few collections of any size exist that do not contain some undetected or questionable items. This fact should not be used to invalidate the existence of authentic pieces or the value of reference materials which seek to help the collector become more knowledgeable about their hobby.
It is hard to imagine how this author could have been more thorough or more fair with the treatment of this particular topic. This book is easily the best single reference source for those interested in the history of Hitler art and the variety of forms it took. Highest recommendations, without any reservations.
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